Sounds Of Blackness is a gospel music ensemble from MinneapolisMinnesota who scored several big hits on the Hot Dance Music/Club Play chart in the nineties. Gospel music may refer either to the religious music that first came out of African-American churches in the 1930s or, more loosely, to both black gospel music and to the religious music composed and sung by white southern Christian artists. ... This article is about the city in Minnesota. ... State nickname: North Star State Other U.S. States Capital Saint Paul Largest city Minneapolis Governor Tim Pawlenty (R) Official languages None Area 225,365 kmÂ² (12th) - Land 206,375 kmÂ² - Water 18,990 kmÂ² (8. ... Billboards Hot Dance Music/Club Play chart is a weekly national survey of what songs are most popular in U.S. dance clubs. ...
Directed by Gary Hines and featuring the vocals of Ann Nesby, the group hit #1 on the dance chart in 1991 with The Pressure Pt. 1. In 1994 they topped the dance chart again with I Believe, which also scraped into the Hot 100, peaking at #99. 1991 is a common year starting on Tuesday of the Gregorian calendar. ... 1994 was a common year starting on Saturday of the Gregorian calendar, and was designated the International year of the Family. ... The Billboard Hot 100 is the main singles chart used by Billboard magazine. ...
In 1997 Sounds Of Blackness charted on the Singles Sales chart (#70) with Spirit, a collaboration with hip hop artist Craig Mack. 1997 is a common year starting on Wednesday of the Gregorian calendar. ... Hip hop is a cultural movement that began amongst urban African American youth in New York and has since spread around the world. ... Craig Mack is an African-American rapper/hip hop musician, notable for being the first artist to debut on Puff Daddys Bad Boy Entertainment record label. ...
Sounds of Blackness, a 40-person choir and ten-piece orchestra led by Gary Hines, combined traditional African music with urban soul to become one of the most distinctive and popular contemporary gospel groups.
Russel Knight formed the group that would prove to be the origins of Sounds of Blackness in 1969 at St. Paul, Minnesota's Macalester College in 1971.
Before the Perspective deal, any major label interested in the Sounds of Blackness asked the group to streamline their sound to include only gospel or R&B, or asked them to change their name to Sounds of Music; it wasn't until Perspective that they were allowed to keep their style and sound intact.
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