A typical setting for a Korean tea ceremony disregarding a contemporary tiled rather than paper covered floor
The Korean tea ceremony is a unique form of tea ceremony practiced in Korea for more than a thousand years. Wikipedia does not have an article with this exact name. ...
Wikipedia does not have an article with this exact name. ...
A tea ceremony is a ritualised form of making tea. ...
Korea refers to South Korea and North Korea together, which were a unified country until 1948. ...
The Korean tea ceremony drew its inspiration from China. The chief element of the Korean tea ceremony is the ease and naturalness of enjoying tea within an easy formal setting.
Tea ceremonies are now being revived in Korea as a way to find relaxation and harmony in the fast-paced new Korean culture, and continuing in the long tradition of intangible Korean art. Landscape of Kumgangsan in Korea. ...
The first historical record documenting the offering of tea to an ancestral god describes a rite in the year 661 in which a tea offering was made to the spirit of King Suro, the founder of the Gaya Kingdom (A.D. 42-562). Records from the Goryeo Dynasty (918-1392) show that tea offerings were made in Buddhist temples to the spirits of revered monks. Suro of Gaya (reigned 42–199) was the legendary founder of the state of Geumgwan Gaya in southeastern Korea. ...
Gaya was a confederacy of chiefdoms that existed in the Nakdong River valley of Korea during the Three Kingdoms era. ...
The Goryeo (also Koryo) kingdom ruled Korea from the fall of Silla in 935 until the founding of Joseon in 1392. ...
During the Joseon Dynasty (1392-1910), the royal Yi family and the aristocracy used tea for simple rites, the "Day Tea Rite" was a common daytime ceremony, whereas the "Special Tea Rite" was reserved for specific occasions. These terms are not found in other countries. The Joseon Dynasty (also Chosun, Hangul: ì¡°ì ìì¡°, Hanja: æé®®çæ) was the final ruling dynasty of Korea, lasting from 1392 until 1910. ...
Toward the end of the Joseon Dynasty, commoners joined the trend and used tea for ancestral rites, following the Chinese example based on Zhu Xi's text formalities of Family.
Korean tea ceremonies follow the seasons, and the ceramics and metalware used so vary. Religious traditions were influential. Stoneware was common, ceramic more frequent, mostly made in provincial kilns, with porcelain rare, imperial porcelain with dragons the rarest. Examples of equipment used in this ceremony are also discussed in the general entry Korean Ceramics as well as the more specific Korean pottery with images cited. Korean pottery appeared later than south Chinese pottery, and required a reasonably stable village culture before domestic Korean potters wheels and kilns could be produced. ...
Korean pottery appeared later than south Chinese pottery, and required a reasonably stable village culture before domestic Korean potters wheels and kilns could be produced. ...
Historically the appearance of the bowls and cups is naturalistic, with a division according to religious influence. Celadon or jade green, "punchong", or bronze-like weathered patinas for Buddhist tea rituals; the purest of white with faint designs in porcelain for Confucian tea rituals; and coarser porcelains and ash-stone glazes for animist tea rituals, or for export to Japan where they were known as "gohan chawan". An aesthetic of rough surface texture from a clay and sand mix with a thin glazing were particularly prized and copied. The randomness of this creation was said to provide a "now moment of reality" treasured by tea masters.
Glazing has very rich texture and variations between many tones occur that change colour according to light and season. Clay used was generally light, with celadon clays being particularly prized. Glazing tricks could imitate most materials: from bamboo, through pebbles in rivers, through tree-bark, to human skin, with rare and unique glazes that gave tiger's eye, peach, or snow-like attributes in deep snow-drift glazes or fine etched white porcelain. Thus enhancing memories of seasons, poems, writings, or still moments.
Potting style, glazing, form vary according to date. Old designs are still kept up, and exports to Japan were significant, from the late 16th century onwards. Korean potters such as the Yi Sukkwang and Yi Kyong brothers transferred traditional styles abroad that became known as the "Hagi" styles. Individual families of potters and provincial kilns provided highly individual glazes whose depth identifies the best middle Yi Dynasty wares.
Summer tea equipment consisted of "katade" bowls that were 5cm tall and 12cm wide. The dimensions exposed a maximum surface area to aid in cooling. Hot water would be poured into the bowls, then poured into a teapot. With two hands, the tea would be poured into smaller matching cups with covers, placed on a rough wood or laquer table. One drinks the tea by lifting the cup cover while drinking so as not to show the open mouth. Tea would be taken cool.
Autumn and winter tea equipment consisted of taller narrower bowls, such as the "irabo" style, that would contain and maintain heat. Typically of spiral construction, shallow, with a high rim. Once again tea made within that bowl would then be poured into heated teapots, and poured centered over a smaller matching cup with cover. Tea would be taken hot. And once again repeatedly poured in small spurts from cup to cup so as to prevent flavour concentrated in one cup.
Unlike the Chinese tradition, no Korean tea vessels used in the ceremony are tested for a fine musical note. Judgment instead is based on naturalness in form, emotion, and colouring.
A natural approach to tea
Central to the Korean approach to tea is an easy and natural coherence, with fewer formal rituals, fewer absolutes, greater freedom for relaxation, and more creativity in enjoying a wider variety of teas, services, and conversation.
This leads to a wider variance of teahouse design, tea garden entries and gardens, different use and styles of teawares, and regional variations in choice of tea, choice of cakes and biscuits and snacks, seasonal and temporal variations, and the acoustic and visual ambiance of Korean teahouses.
Tea storage containers were often large - being made of clay coils, finished on potter's wheels, and 3/4 glazed from within the kiln itself as wood burned. Natural green ash glazes were typical. A wood scoop with a long handle often a split bamboo with a scoop end would be used to retrieve the tea.
Generally the best local water is used to make the tea, and at times some of the best Korean teahouses had their own small springs. Water is brought to boil above a wood fire, poured into a teapot and brought immediately to service.
Tea is poured initially by a tea hostess into warmed cups from a heated teapot at a distance above the first cup so as to create a controlled flow of tea with attractive bubbles. This is done to create good luck.
Tea ceremonies have always been used for important occasions such as birthdays, anniversaries, remembrance of old friends, and increasingly a way to rediscovering the joys of Seon meditation. The Seon school is a Korean branch of Buddhism that shares its origins and many characteristics with Chinese Chan and Japanese Zen. ...
As Korean tea was often green tea, even small leaves were rare.
Kinds of tea
The earliest kinds of tea used in tea ceremonies were heavily pressed cakes of black tea, the equivalent of aged pu-erh tea still popular in China. Vintages of tea were respected, and tea of great age imported from China had a certain popularity at court. However, importation of tea plants by Buddhist monks brought a more delicate series of teas into Korea, and the tea ceremony. Pu-erh or Puer tea (Chinese: æ®æ´±è¶; pinyin: ) is a fermented tea, named after Puer county in Yunnan, China. ...
While green tea, "chaksol" or "chugno", is most often served, other teas such as "Byeoksoryung" Chunhachoon, Woojeon, Jakseol, Jookro, Okcheon, as well as native chrysanthemum tea, persimmon leaf tea, or mugwort tea may be served at different times of the year.
Korean teas were divided into the five different tastes: bitterness, sweetness, astringency, saltiness and "sourness". Aging is rare and most teas are consumed as fresh as possible, with particular note to new harvests.
Tea regions were famous for producing teas with characteristic compositions of the five taste elements: Jeju island, contemporarily, has teas with more salt in them due to ocean winds; other elements are brought out by different means of cooking the leaves, or hardness of water.
Teas also evoke four kinds of thought for Korean buddhists: peacefulness, respectfulness, purity and quietness. Those teas that bring out more of these qualities are prized.
Kinds of Tea Ceremonies
Buddhist monks incorporated tea ceremonies into votive offerings. However the Goryeo nobility and later the Confucian yangban scholars formalized the rituals into things of beauty.
There are at least 15 major tea ceremonies that are performed, and they include, they are listed according to age and fame:
- Day Tea Rite - Joseon dynasty daily palace tea ceremony
- Special Tea Rite - Joseon dynasty ceremony welcoming visiting foreigners, trade and tribute missions, and at royal weddings
- Queen Tea Ceremony - a special tea ceremony shown upon occasion in royal Korean soap operas: only for women friends, family and servants of the Queen, but often including the Crown Prince.
Contemporary revival of Tea Ceremonies at Panyaro Institute
The Panyaro Institute for the Promotion of the Way of Tea was founded to perpetuate the lifelong work of the celebrated Korean Tea Master, the Venerable Hyodang, who devoted sixty years of his life to a study of the teachings of the great Korean spiritual master Wonhyo and to the elaboration of methods of using tea in meditation.
Hyodang contributed to the culture of tea in three major ways: First, he published the first Korean book consecrated to the Way of Tea, "The Korean Way of Tea", a work that continues to inspire readers interested in Korean tea culture. Second, he transmitted the particular method of making the green tea known as Panyaro. Third, he founded the first association of Koreans interested in the study of tea, the "Korean Association for the Way of Tea".
Hyodang was also the first to give ordinary readers an awareness of the significance of the life of the Venerable Ch'o-ui, the early 19th century tea master, through a series of articles published in a popular newspaper. Just as Ch'o-ui led the revival of interest in tea in his time, so Hyodang led the modern revival.
In 1981 Chae Won-hwa launched what became the Panyaro Institute for the Promotion of the Way of Tea, and by November 1995 he had established a formal graduation ceremony for those who had completed the full course of study. Such ceremonies are now held each year.
- Korean Tea Culture
- The Korean way of tea
- Visuals of the Paynoro version of the tea ceremony
- Chae Won-hwa, a prominent and influential female tea master
- Small website on Korean tea in general
- Hadong Mountain Dew Tea Festival, May 19-22 annually
- Teaculture in Korea
- Teahouses in Jeonju, Republic of Korea