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F for Fake (1974) (original French title, Vérités et Mensonges) is the last major film completed by Orson Welles. (His later Filming Othello is so rarely seen, it is usually categorized as an unreleased film.) It features Elmyr de Hory, as he recounts much of his work as an art forger and how easy it was for him to create what professionals considered originals. It also features Oja Kodar, Welles's companion, and Clifford Irving, de Hory's biographer and himself the hoaxer who created the purported biography of Howard Hughes. Welles's story takes place during the Irving affair. In 2005 The Criterion Collection released the film on DVD. Image File history File links F_for_Fake(DVDCover). ...
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Oja Kodar is a Croatian actress, screenwriter and director. ...
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Oja Kodar is a Croatian actress, screenwriter and director. ...
Joseph Cotten, circa 1956. ...
September 25 is the 268th day of the year (269th in leap years). ...
// Events January 28 - George Lucas creates the second draft of what would eventually become Star Wars Episode IV: A New Hope. ...
The English language is a West Germanic language that originates in England. ...
1974 (MCMLXXIV) was a common year starting on Tuesday. ...
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Elmyr De Hory (1906-1976) was a famous Hungarian-born painter and art forger. ...
Art forgery means creating and especially selling works of art that are falsely attributed to be work of other, usually more famous artists. ...
Oja Kodar is a Croatian actress, screenwriter and director. ...
Clifford Irving (born November 5, 1930) is a US writer famous for his authorized autobiography of Howard Hughes. ...
Howard Robard Hughes Jr. ...
The Criterion Collection is a line of authoritative consumer versions of important classic and contemporary films on laserdisc and, later, DVD. It was established as a joint venture between Janus Films and the Voyager Company in the mid-1980s. ...
DVD (also known as Digital Versatile Disc or Digital Video Disc) is an optical disc storage media format that can be used for data storage, including movies with high video and sound quality. ...
Much like Welles's legendary film debut Citizen Kane, F for Fake was a film that faced widespread popular rejection in his home country at the time of release, though it fared better commercially in Europe. Critical reaction ranged from praise to confusion and hostility, with many finding the work to be indulgent or incoherent. But again like Kane, F for Fake has grown in stature over the years and is now often considered not only a film classic but a precursor to now-common techniques and a further popularizer of more avant-garde ones. With the film embracing everything from self-conscious notation of the film process to ironic use of fifties-era B-movie footage, his defenders feel Welles in essence was creating not so much a documentary as a "new kind of film," as he once told writer Jonathan Rosenbaum. Citizen Kane is a 1941 mystery/drama film released by RKO Pictures. ...
Jonathan Rosenbaum is the main film critic for the Chicago Reader. ...
Perhaps more than anything else F for Fake is often judged a masterpiece of the art of editing -- a key subject of the film itself, which at many points shows Welles sitting at his preferred editing desk as he narrates. Welles and his assistants worked on the final cut for an entire year -- shots are rapidly intercut almost by the second throughout, lending the film a quick-paced touch. One of the examples considered to be among the best is also one of the quietest, stitching together near-wordless shots of Irving and de Hory seemingly in debate as to whether de Hory ever signed his forgeries. Some of Welles's wittiest work appears throughout F for Fake, in keeping with the archly playful tone of the whole film. At the same time, he is often both nakedly autobiographical and in one particular sequence incredibly moving about the power of art, narrating a montage sequence of the medieval French landmark, Chartres Cathedral: Cathedral of Chartres, western spires The Cathedral of Chartres (Cathedral of Our Lady of Chartres, French: Cathédrale Notre-Dame de Chartres), located in Chartres, about 50 miles from Paris, is considered the finest example in all France of the high Gothic style of architecture. ...
- "Ours, the scientists keep telling us, is a universe which is disposable. You know it might be just this one anonymous glory of all things, this rich stone forest, this epic chant, this gaiety, this grand choiring shout of affirmation, which we choose when all our cities are dust; to stand intact, to mark where we have been, to testify to what we had it in us to accomplish. Our works in stone, in paint, in print are spared, some of them for a few decades, or a millennium or two, but everything must fall in war or wear away into the ultimate and universal ash: the triumphs and the frauds, the treasures and the fakes. A fact of life... we're going to die. 'Be of good heart,' cry the dead artists out of the living past. Our songs will all be silenced - but what of it? Go on singing. Maybe a man's name doesn't matter all that much."
While F for Fake is seen primarily as Welles's film, two key elements were initially created by Kodar. The first, described by Kodar years later as growing out of her own beliefs in feminism, consists of shots of Kodar walking down French streets while rubbernecking male admirers stop and openly stare -- all while being surreptitiously filmed -- according to the narration, anyway; viewers may have their own opinions on whether most of the men we see in the film are in fact looking at anything in particular. The second is a concluding story about Kodar's supposed encounter with Pablo Picasso -- who, while alive at the time, not only did not appear in the film but knew nothing about it. Picasso's appearance is provided by a series of retouched still photographs, leading to one notable sequence where Picasso, who supposedly observed Kodar walking in his neighborhood for many days, seemingly watches her from behind endlessly closing and opening blinds. Young Pablo Picasso Pablo Ruiz y Picasso (Málaga, October 25, 1881 â Paris, April 8, 1973) was a Andalusian painter and sculptor. ...
External link
The Internet Movie Database (IMDb) is an online database of information about actors, films, television shows, television stars, video games and production crew personnel. ...
| Orson Welles | | Citizen Kane (1941) • The Magnificent Ambersons (1942) • The Stranger (1946) • The Lady from Shanghai (1947) • Macbeth (1948) • Othello (1952) • Mr. Arkadin (1955) • Touch of Evil (1958) • The Trial (1962) • Chimes at Midnight (1965) • The Immortal Story (1968) • F for Fake (1974) To meet Wikipedias quality standards, this article or section may require cleanup. ...
Citizen Kane is a 1941 mystery/drama film released by RKO Pictures. ...
The Magnificent Ambersons is a 1942 film based on the novel of the same name by Booth Tarkington. ...
The Stranger is a 1946 film noir/drama starring Orson Welles and Loretta Young. ...
The Lady from Shanghai is a black-and-white film noir directed by and starring Orson Welles. ...
Macbeth marked Orson Welless return to Shakespearean interpretation, following his departure from Hollywood, with this 1948 version of the Scottish Play. ...
One of Welles more complicated shoots, Othello was filmed on and off over a period of three years. ...
The history of Mr. ...
Touch of Evil (1958), is considered one of the last examples of film noir in the classic era (from the early 1940s until the late 1950s). ...
The Trial (aka Le Procès) is a 1962 film directed by Orson Welles, based on the famous novel by Franz Kafka. ...
Orson Welles, photographed by Carl Van Vechten, 1937 George Orson Welles (May 6, 1915 â October 10, 1985) is generally considered one of Hollywoods greatest directors, as well as a fine actor, broadcaster and screenwriter. ...
The Immortal Story is a 1968 film direct by Orson Welles and starring Jeanne Moreau. ...
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