In theater, the term Electrician is generally applied to those that work with the various aspects of lighting. Some of the positions included among Electricians include the Lighting Supervisor, Master Electrician, Deck Electrician, Light Board Operator, Moving Light Programmer, Followspot Operator, as well as simply Electricians. This group is generally known as the "Electrics" Department.
These people are responsible for reciving the light plot from the Lighting Designer and translating the design as it is on paper to the lighting that is seen by the audience in the final production. In small theaters, many of these roles may be filled by a single person, while in a large production such as those on Broadway or a large tour, there may be several people filling some of the roles. A Light plot (alternately: Lighting plot) is a document similar to a design blueprint used specifically by theatrical lighting designers. ...
Lighting at the 2005 Classical Spectacular Concert The role of the theatre lighting designer (or LD) within theatre is to work with the theatre director, set designer, and costume designer to create an overall look for the show in response to the text, but bearing in mind issues of visibility...
Broadway theatre is often considered the highest professional form of theatre in the United States. ...
Duties of Electricians
Theater Electricians are responsible for all non-design aspects of the lighting in a theatrical production. They may also be responsible for special effects (such as fog) and powering other electrical items (such as motors) used in the production.
Electricians install (hang), point and shape the beam (focus), and connect to power (circuit) lighting instruments. Additionally they may add gel to color the light, patterns (or gobos) to create texture or shape a light into a pictures, and accessories that give the designer the ability to change some aspect of the light, such as scrollers (color changers) or pattern effects (gobo rotators).
Specific Electrics Positions
The Lighting Supervisor is responsible for acting as the go-between for the designers, and the theater's electrics staff. In the cases of shows done in reperatory, they may have to adapt the designs of several designers to work together given the limits of the venue and the equipment, budget, and time available. In the case of a re-mount, they may adapt a design to newer equipment or a different venue than the design was originally created for. While Broadway and high end Off-Broadway productions have this position, the Master Electrician is often responsible for these duties in smaller productions. A Venue is the location of an event, usually a meeting. ...
The Master Electrician supervises all other Electricians working on a production or show. They are sometimes referred to as the Head Electrician or in a touring house, the House Electrician. Their other duties include:
- Inventory and repair and maintenance of all stage lighting fixtures, cables, effects, power distribution, dimmers, networking and lighting control consoles.
- Organization and purchasing of all consumables including color gel, gobos, Sharpies, and gaffer tape.
- Planning and implementing of the cabling (circuiting) of lights and electric power distribution for any given show or production.
- Documenting and tracking of all scenery, circuiting, addressing, and system configuration in cooperation with the Lighting Designer.
- Patching assignments of the control console based on the paperwork generated by the Lighting Designer and the planned circuiting.
- Occupational safety and health of workers and operational decisions as the Head of the Electrics department.
Load in Electrician
The Load in Electrician, often referred to simply as an electrician, is a person usually hired on a per day or per project basis (freelance) to hang, circuit and focus the lights. Once the show goes into tech, the Load in Electrician will usually leave, although they may stay around to do "notes" with the lighting designer which may include adding or taking away lights, refocusing, or re-gelling lights. Even small productions usually have at least one or two Load in Electricians who are supervised by the Master Electrician.
The Deck Electrician is a member of the running crew for a production and is responsible for all aspects of running the lighting for the show that happen on or backstage. This can include such things as changing color, connecting and disconnecting practical units or set pieces which are electrified, and in some venues, assisting with motor control or effects. Running crew is the collective term for the entire group of persons required to operate a theatrical performance. ...
Motor control is the field of Neuroscience that studies neuronal mechanisms of movements. ...
Light Board Operator
The Light Board Operator is the person who executes cues for a production. This can range from adjusting light levels of individual dimmers, such as on a two scene preset board, to simply pressing a "Go" button on a computer controlled console. They may need to be able to make adjustments quickly to account for equipment failure, or people being in the wrong location. For some live events, such as concerts, this person may also be creating cues and looks on the fly, and functioning both as an operator and a designer simultainiously. A cue is the trigger for an action to be carried out at a specific time. ...
The Lighting Programmer, is a person familiar with the lighting board being used who sits next to or in communication with the lighting designer during "tech". He or she is responsible for programming in the lighting cues as dictated to him or her by the lighting designer. This saves the designer the time and attention of using the light board and allows him or her to concentrate on building the cues. Often, especially in smaller theater, this person will go on to be the Light Board Operator for the run of the show.
Moving Light Programmer
The Moving Light Programmer is a person who specializes in the sometimes complex creation of cues for Moving Lights. For large productions with several moving lights, there may even be a seperate control system for the moving lights from that of the "conventional" lighting. Some of these lights, in addition to being able to change focus from one location to another, can include many other features such as color and patterns. The coordinating of these fixtures can be complex enough to require a dedicated person to program. Moving Lights or Intelligent Fixtures: Circa 1987, the first computer-controlled stage lighting fixtures, called Moving Lights or Intelligent Fixtures, began to gain widespread acceptance in the Concert Industry. ...
The Followspot Operator is the person who operates the followspot, or spotlight on a production. This is a light which is physically moved by the operator, during the production, to follow a performer as they move around the stage. A follow spot may also have mechanisms to change color, as well as an iris to change the size of the beam of light. The followspot operator may have to change several aspects of the beam from their unit simultaniously. This position is more common in musical theater and concerts than for drama. Musical theater (or theatre) is a form of theatre combining music, songs, dance, and spoken dialogue. ...