The Columbia Symphony Orchestra is, (or was) an orchestra formed by the recording company Columbia, and provided a vehicle for some of their better known recording artists, with perhaps the most important contributions made by the conductor Bruno Walter, who made recordings of Beethoven and Mozart symphonies, amongst others, with them during the last years of his life. Orchestra at City Hall (Edmonton). ... Bruno Walter (September 15, 1876 - February 17, 1962) was a German-born conductor and composer. ... Ludwig van Beethoven Ludwig van Beethoven (baptized December 17, 1770; died March 26, 1827) was a German composer of classical music, who predominantly lived in Vienna, Austria. ... W. A. Mozart, 1790 portrait by Johann Georg Edlinger Wolfgang Amadeus Mozart (January 27, 1756 â December 5, 1791) is among the most popular, significant and influential composers of European classical music. ...
Full size orchestras may sometimes be called "symphonyorchestras" or "philharmonic orchestras"; these prefixes do not indicate any difference either to the instrumental content or role of the orchestra, but can be useful to distinguish different orchestras based in the same city (for instance, the London SymphonyOrchestra and the London Philharmonic Orchestra).
At first the orchestra was an aristocratic luxury, performing privately at the courts of the princes and nobles of Italy; but in the 17th century performances were given in theatres, and Germany eagerly followed.
In ancient Greece the orchestra was the space between the auditorium[?] and the proscenium (or stage[?]), in which were stationed the chorus and the instrumentalists.
A full size orchestra may sometimes be called a "symphonyorchestra" or "philharmonic orchestra"; these prefixes do not indicate any difference either to the instrumental content or role of the orchestra, but can be useful to distinguish different orchestras based in the same city (for instance, the London SymphonyOrchestra and the London Philharmonic Orchestra).
With the formation of standing orchestras, and the expansion of the winds and brass, as well as the ability of winds and brass instruments to be intune with each other, it created the ability of the wind and brass to be more easily massed.
The unusual aspect of the orchestra was that, believing that in the ideal Marxist state all men are equal, its members felt that there was no need to be led by the dictatorial baton of a conductor; instead they were led by a committee.
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